Showing posts with label Bunny Brunel. Show all posts
Showing posts with label Bunny Brunel. Show all posts

Thursday, 4 November 2010

Bunny Brunel - Dedication (1992)

www.cduniverse

by Scott Yanow

Bunny Brunel is best-known as a virtuosic electric bassist who is featured in high-quality fusion settings. This particular recording is quite a bit different for Brunel is heard exclusively on acoustic bass, performing advanced jazz standards including pieces by Wayne Shorter, Steve Swallow, and Herbie Hancock along with two of the bassist's originals, "Stella by Starlight," Charlie Parker's "Relaxin' at Camarillo," and "Someday My Prince Will Come." Guitarist Mike Stern has plenty of solos, pianist Billy Childs gets in his spots, and drummer Vinnie Colaiuta is fine in support, but Brunel clearly controls the music. On the concluding "Twelve Bars for Leberstraum," Chick Corea guests on piano. Overall, this is one of Brunel's best jazz dates, and a bit of a surprise.

Monday, 31 August 2009

Dennis Chambers, Tony Mcalpine, Bunny Brunel - Cab (2000)

01.Night Splash
02.Cab
03.So There Is Love
04.Just Perfect
05.One for Stern
06.The Watcher
07.Atamanashi
08.Boogie Me
09.Elastic Man
10.Bernard.

Bunny Brunel - Bass, Engineer, Keyboards
Dennis Chambers - Drums
Tony MacAlpine - Guitar, Keyboards.


This hard-driving fusion power trio packs a mighty punch on CAB, its inaugural release. On this outing, guitarist Tony MacAlpine renders his customary rippling sheets of sound along with electric bassist Bunny Brunel's sinewy lines and drummer Dennis Chambers' heavy-handed polyrhythms. There are no hidden agendas here as the soloists surge into the stratosphere with ominous intentions via blazingly fast unison choruses and Chambers' propulsive backbeats and hybrid funk-rock rhythms. The trio also engages in a few call-and-response type episodes in concert with intermittent doses of fiercely stated jazz-based passages. However, MacAlpine steers the charge with blistering lead soloing to complement his effective utilization of electronic keyboards. Essentially, the band abides by a democratic approach, where everyone gets ample breathing room amid a series of nicely arranged compositions and turbocharged improvisational sequences. Overall, this impressive 2000 effort provides the world of fusion with a much-needed shot of adrenaline. ~ Glenn Astarita, All Music Guide.
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