02.By the time I get to Phoenix
03.Bach-a-bach
04.I Say a Little Prayer
05.Do You Know The Way To San Jose
06.The Look Of Love
07.Desafinado
08.Plaintivo
09.Favela
10.Wave
11.Corcovado.
Highlights for me are the two Golla compositions Bach-a-bach and Plaintivo, and the interpretations of the wonderful Antonio Carlos Jobim.
George Golla
From Wikipedia, the free encyclopedia.
George Golla was born on 10 May 1935 in Chorzów, Poland he emigrated to Australia in the 1950s and began working in Sydney from 1957.
In 1959 he commenced a long-term working musical partnership with clarinetist/flautist/saxophonist Don Burrows that continued for almost forty years. They recorded frequently together and in quartets and other combinations; nurtured and featured many young talents including brassman/multi-instrumentalist James Morrison, drummer David Jones and countless others that they taught at the NSW Conservatorium.
He toured frequently throughout Australia and at times with international guest support artists such as vibraphonist Gary Burton in the early 1970s. He has had a long association with Brazilian musicians including Luis Bonfa and extensive performance of and many recordings of Latin American-/Brazilian- influenced jazz, including the acclaimed Bonfa Burrows Brazil (The Orchard).
He appeared at both the Montreux Jazz Festival and Newport Jazz Festival in 1972, and has performed at many Australian festivals. He is a frequent contributor at the annual Frankston International Guitar Festival.
He has made hundreds of recordings, including The Don Burrows Quartet at the Sydney Opera House (1974, Cherry Pie 1017), and Steph'n'Us (1977, Cherry Pie 1032) with Stephane Grappelli during a tour with Grappelli and Burrows.
Golla continues to perform in and around Sydney where he resides, touring interstate and internationally and recording. He has appeared at many workshops locally, nationally and overseas.
