01.Say You Will 4:29
02.Open Eyes 3:52
03.Morning Song 5:36
04.Movin' On 5:56
05.Return to The Source 4:34
06.The Funk Surgeon 4:57
07.Beyond Forever 4:37
08.Connie 3:12.
Eddie Henderson - trumpet,flugelhorn
Patrice Rushen - vocals,keyboards,bass,percussion
Lee Ritenour - guitars
Philip Bailey - vovals,congas
George Cables - keyboards
Paul Jackson - bass
Diane Reeves - vocals
Al McKay - guitars
Charles Mimms - keyboards
Mtume - vocals,keyboards,congas,percussion
Howard King - drums,vocals
Julian Priester - trombones
Skip Drinkwater - percussion
Mani Boyd - flutes,reeds
Connie Henderson - flutes,reeds.
(Review)
Here with Comin’ Through, Eddie Henderson, the ex-Herbie Hancock Sextet & Art Blakey's Jazz Messengers player has reached his creative peak with this spacey classic jazz/fusion album that gave us 'Say You Will'. This is a beautiful LP with lots of guests like Mtume, Patrice Rushen, Paul Jackson, Al McKay and Philip Bailey of Earth Wind and Fire. With incredible groove songs like “The Funk Surgeon” this LP is a must have for any lover of the funky side of jazz!.
(Bio)
Eddie Henderson (born October 26, 1940) is an American jazz trumpet and flugelhorn player. Henderson's influences include Booker Little, Clifford Brown, Woody Shaw and Miles Davis.
Family influence and early music history
Henderson's mother was one of the dancers in the original Cotton Club. She had a twin sister, and they were called The Brown Twins. They would dance with Bill "Bojangles" Robinson and the Nicholas Brothers. In the film showing Fats Waller playing "Ain't Misbehavin'", Henderson's mother sat on the piano whilst Waller sang to her. His father sang with Billy Williams and The Charioteers, a popular singing group.
At the age of nine he was given an informal lesson by Louis Armstrong, and he continued to study the instrument as a teenager in San Francisco, where he grew up, after his family moved there in 1954, at the San Francisco Conservatory of Music.As a young man, he performed with the San Francisco Conservatory Symphony Orchestra.
Henderson was influenced by the early fusion work of jazz musician Miles Davis, who was a friend of his parents.[1] They met in 1957 when Henderson was aged seventeen, and played a gig together.
After completing his medical education, Henderson went back to the Bay area for his medical internship and residency - and the break that thrust him fully into music. It was a week-long gig with Herbie Hancock's Mwandishi band that led to a three-year job, lasting from 1970-73. In addition to the three albums recorded by the group under Hancock's name, Henderson recorded his first two albums, Realization (1972) and Inside Out (1973), with Hancock and the Mwandishi group.
After leaving Hancock, the trumpeter worked extensively with Pharoah Sanders, Mike Nock, Norman Connors, and Art Blakey's Jazz Messengers, returning to the San Francisco Bay Area in 1975 where he joined the Latin-jazz group Azteca, and fronted his own bands. He also recorded with Charles Earland (popular for his version of "Let the Music Play" in 1978), and later, in the 1970s, led a rock-oriented group. While he gained some recognition for his work with the Herbie Hancock Sextet (1970–1973), his own records were considered too "commercial".
Medical career
After three years in the Air Force, Henderson enrolled at U.C. Berkeley, graduating with a B.S. in zoology in 1964. He then studied medicine at Howard University in Washington D.C., graduating in 1968. Though he undertook his residency in psychiatry, he only practiced general medicine.
He practised medicine from 1975 to 1985 in San Francisco, part-time for about four hours a day working at a small clinic. Henderson said, "The head doctor knew I was into music and he hired me with the stipulation that whenever I get tours I can go and come as I please. They would even pay me when I was gone. It was lovely", he recalled. "I just wanted to play music. But I never in my wildest dreams thought I'd ever have a chance to play with the big guys."
In the 1970s, Henderson recorded a series of fusion albums during the disco era that were later re-released. He recorded two albums on the Blue Note label, Heritage (1976) and Sunburst (1975); three for Capitol Records, Comin' Thru (1977), Mahal (1978) and Runnin' To Your Love (1979); and two for Capricorn Records, Inside Out (1974) and Realization (1973).
UK success
Henderson's only UK hit was the single "Prance On" recorded for Capitol which reached #44 in the UK Singles Chart in Novemnber 1978.[3] The newly introduced 12" vinyl single format for this track helped promote it on the disco/club scene at the time. His previous single recorded in 1977, "Say You Will" / "The Funk Surgeon" failed to chart in the UK. "Cyclops" was an instrumental LP track only, although it was so popular at the wrong speed that Capitol pressed a 12" vinyl single with the regular version, and the fast version, back to back.
Recent work and influences
In the 1990s, he returned to playing acoustic hard bop, touring with Billy Harper in 1991 while also working as a psychiatrist.
In recent years Henderson has played at festivals in France and Austria. Following Miles Davis' death, in May 2002, Henderson recorded an album using Davis' tracks, called So What?. The group included Bob Berg on sax, Dave Kikoski on piano, Ed Howard on bass and Victor Lewis on drums.
Henderson's fusion period has also been revisited in a live setting in the last few years, having played the UK and Europe to positive reviews, most notably his two night stint at the Jazz Café in London being cited by Blues & Soul Magazine as one of the concerts of the year. His backing band for these concerts was a UK band called Mr. Gone. The musicians in the band, at various points, included Simon Bramley on electric bass, Phil Nelson on drums, Tommy Emmerton on guitar, Neil Burditt on keyboards, Robin Jones on percussion and Jamie Harris on saxophone.
Recent recordings by Henderson have included Oasis (2001 on Sirocco Jazz Limited label), So What?, a tribute to Miles Davis (2002, EPC, Sony, Columbia), Time and Spaces (2004 Sirocco Jazz Limited), Manhattan Blue (2005, unreleased) and Precious Moment (2006 on the Kind of Blue label).
The composer of "Tender You", "Precious Moment", "Around the World in 3/4" and "Be Cool" is his wife, Natsuko Henderson.
Henderson is a faculty member of Juilliard music school.
Here with Comin’ Through, Eddie Henderson, the ex-Herbie Hancock Sextet & Art Blakey's Jazz Messengers player has reached his creative peak with this spacey classic jazz/fusion album that gave us 'Say You Will'. This is a beautiful LP with lots of guests like Mtume, Patrice Rushen, Paul Jackson, Al McKay and Philip Bailey of Earth Wind and Fire. With incredible groove songs like “The Funk Surgeon” this LP is a must have for any lover of the funky side of jazz!.
(Bio)
Eddie Henderson (born October 26, 1940) is an American jazz trumpet and flugelhorn player. Henderson's influences include Booker Little, Clifford Brown, Woody Shaw and Miles Davis.
Family influence and early music history
Henderson's mother was one of the dancers in the original Cotton Club. She had a twin sister, and they were called The Brown Twins. They would dance with Bill "Bojangles" Robinson and the Nicholas Brothers. In the film showing Fats Waller playing "Ain't Misbehavin'", Henderson's mother sat on the piano whilst Waller sang to her. His father sang with Billy Williams and The Charioteers, a popular singing group.
At the age of nine he was given an informal lesson by Louis Armstrong, and he continued to study the instrument as a teenager in San Francisco, where he grew up, after his family moved there in 1954, at the San Francisco Conservatory of Music.As a young man, he performed with the San Francisco Conservatory Symphony Orchestra.
Henderson was influenced by the early fusion work of jazz musician Miles Davis, who was a friend of his parents.[1] They met in 1957 when Henderson was aged seventeen, and played a gig together.
After completing his medical education, Henderson went back to the Bay area for his medical internship and residency - and the break that thrust him fully into music. It was a week-long gig with Herbie Hancock's Mwandishi band that led to a three-year job, lasting from 1970-73. In addition to the three albums recorded by the group under Hancock's name, Henderson recorded his first two albums, Realization (1972) and Inside Out (1973), with Hancock and the Mwandishi group.
After leaving Hancock, the trumpeter worked extensively with Pharoah Sanders, Mike Nock, Norman Connors, and Art Blakey's Jazz Messengers, returning to the San Francisco Bay Area in 1975 where he joined the Latin-jazz group Azteca, and fronted his own bands. He also recorded with Charles Earland (popular for his version of "Let the Music Play" in 1978), and later, in the 1970s, led a rock-oriented group. While he gained some recognition for his work with the Herbie Hancock Sextet (1970–1973), his own records were considered too "commercial".
Medical career
After three years in the Air Force, Henderson enrolled at U.C. Berkeley, graduating with a B.S. in zoology in 1964. He then studied medicine at Howard University in Washington D.C., graduating in 1968. Though he undertook his residency in psychiatry, he only practiced general medicine.
He practised medicine from 1975 to 1985 in San Francisco, part-time for about four hours a day working at a small clinic. Henderson said, "The head doctor knew I was into music and he hired me with the stipulation that whenever I get tours I can go and come as I please. They would even pay me when I was gone. It was lovely", he recalled. "I just wanted to play music. But I never in my wildest dreams thought I'd ever have a chance to play with the big guys."
In the 1970s, Henderson recorded a series of fusion albums during the disco era that were later re-released. He recorded two albums on the Blue Note label, Heritage (1976) and Sunburst (1975); three for Capitol Records, Comin' Thru (1977), Mahal (1978) and Runnin' To Your Love (1979); and two for Capricorn Records, Inside Out (1974) and Realization (1973).
UK success
Henderson's only UK hit was the single "Prance On" recorded for Capitol which reached #44 in the UK Singles Chart in Novemnber 1978.[3] The newly introduced 12" vinyl single format for this track helped promote it on the disco/club scene at the time. His previous single recorded in 1977, "Say You Will" / "The Funk Surgeon" failed to chart in the UK. "Cyclops" was an instrumental LP track only, although it was so popular at the wrong speed that Capitol pressed a 12" vinyl single with the regular version, and the fast version, back to back.
Recent work and influences
In the 1990s, he returned to playing acoustic hard bop, touring with Billy Harper in 1991 while also working as a psychiatrist.
In recent years Henderson has played at festivals in France and Austria. Following Miles Davis' death, in May 2002, Henderson recorded an album using Davis' tracks, called So What?. The group included Bob Berg on sax, Dave Kikoski on piano, Ed Howard on bass and Victor Lewis on drums.
Henderson's fusion period has also been revisited in a live setting in the last few years, having played the UK and Europe to positive reviews, most notably his two night stint at the Jazz Café in London being cited by Blues & Soul Magazine as one of the concerts of the year. His backing band for these concerts was a UK band called Mr. Gone. The musicians in the band, at various points, included Simon Bramley on electric bass, Phil Nelson on drums, Tommy Emmerton on guitar, Neil Burditt on keyboards, Robin Jones on percussion and Jamie Harris on saxophone.
Recent recordings by Henderson have included Oasis (2001 on Sirocco Jazz Limited label), So What?, a tribute to Miles Davis (2002, EPC, Sony, Columbia), Time and Spaces (2004 Sirocco Jazz Limited), Manhattan Blue (2005, unreleased) and Precious Moment (2006 on the Kind of Blue label).
The composer of "Tender You", "Precious Moment", "Around the World in 3/4" and "Be Cool" is his wife, Natsuko Henderson.
Henderson is a faculty member of Juilliard music school.
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