by Scott Yanow
Dewey Redman is featured in a few different settings on this intriguing and generally successful album. The best cuts are the originals that match Redman's tenor with bassist Sirone and drummer Eddie Moore. In addition, he is heard on zither on two cuts (one of which is unaccompanied), and his trio adds trumpeter Ted Daniel and violinist Leroy Jenkins for two complex originals; Redman switches to clarinet on "Somnifacient." Although it is interesting to hear Redman on clarinet and zither, his tenor playing is clearly his strong point and the main reason to search for this LP. His ten-minute workout on "Qow" is outstanding...
Dewey Redman is featured in a few different settings on this intriguing and generally successful album. The best cuts are the originals that match Redman's tenor with bassist Sirone and drummer Eddie Moore. In addition, he is heard on zither on two cuts (one of which is unaccompanied), and his trio adds trumpeter Ted Daniel and violinist Leroy Jenkins for two complex originals; Redman switches to clarinet on "Somnifacient." Although it is interesting to hear Redman on clarinet and zither, his tenor playing is clearly his strong point and the main reason to search for this LP. His ten-minute workout on "Qow" is outstanding...
01.Seeds And Deeds
ReplyDelete02.Somnifacient
03.Meditation Submission Purification
04.Joie De Vivre
05.Funcitydues
06.Phadan-Sers
07.Qow.
Bass - Sirone
Drums, Tympani, Cymbals, Bowed And Struck Idiophone - Eddie Moore
Tenor Saxophone, Clarinet, Zither - Dewey Redman
Trumpet - Ted Daniel
Violin - Leroy Jenkins.
Notes
Recorded September 9 and 10, 1974 at Generation Sound Studios, New York City
Coincide
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